Kevin Maines and The Volts
Official Website: kevinmainesmusic.com
Raised in North Florida, where gospel and soul music lay as thick as the hot, humid air, Kevin Maines brings a youthful vibrancy to the classic southern R&B/Soul legacy. Kevin’s debut album, American Hustle, received praise for its creative writing, playing, and production, as well as the strong musical maturity rarely seen in debuts. From deep and dirty Duane Allman-esque slide guitar rockers to sweet gospel-inspired falsetto singing, Kevin Maines doesn’t just play in the southern soul traditions, he consumes and then gives them back bursting with his own unique twist. From gritty to ethereal, this music speaks for itself.
Kevin Maines and The Volts will release their second album in May 2017. Fans of Funkadelic, Son House, Ray Charles, and Black Crowes should take notice. Inspired by the never-ending creativity of Frank Zappa, this album moves past typical blues song formats and takes creative chances. Some musicians dig deep into tradition, while others are endlessly creative risk-takers; every now and then someone comes along that does both. Kevin Maines is one of those unique individuals.
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The Nouveaux Honkies
Official Website: www.tnhband.com
For many touring bands, the road is their home away from home, an ever-rolling muse that runs beneath their tires and works its way into every aspect of their lives, including their songwriting. For hard- traveling Americana duo The Nouveaux Honkies, the road is literally their home, as the two live out of a creatively rebuilt RV that they use to tour throughout the year in the American South. Rolling along in their high tech, solar powered, self-sufficient chariot, equipped with its own espresso bar, mini studio, and more comforts than most studio apartments in NYC, Tim O’Donnell and Rebecca Dawkins worked out a great formula to tie their travels to their music. They set up in a key American city for a couple months at a time, soaking up inspiration and making friends, before moving on. In this way, their new album Blues For Country, draws its sounds from the musical influences of New Orleans, Nashville, Florida, Austin, and the Texas hill country where they recorded it. “As far as genres are concerned, I don’t think it is an intentional thing for us to be bouncing around the map,” confesses Tim O’Donnell, The Nouveaux Honkies’ songwriter and lead singer. “It is just my personality. I love lots of stuff. To me there is good music and bad music and I really have no formula on what it is. I just know when I like it. Jimmy Webb, Jimmy Reed, and Jimi Hendrix all give me this crazy feeling when I listen to them.” With all these regional flavors, it’s no wonder The Nouveaux Honkies’ music jumps so easily and happily between genres, mixing up a bubbling Americana gumbo of blues, country, roots, R&B, Texas swing, honky-tonk and old-fashioned songwriting.
To record Blues for Country, The Nouveaux Honkies pulled their RV into the peaceful hill country town of Dripping Springs, Texas, a tiny town 30 minutes West of Austin. “We had our dogs, our espresso machine, our bed, our kitchen and the whole thing was super relaxed,” remembers Dawkins. “I think it reflects in the recording. It doesn’t feel frantic or rushed even though we were in and out in 8 days.” On Blues for Country, O’Donnell’s whiskey-tinged vocals are a perfect match for Rebecca Dawkins’ glorious harmonies and soaring fiddling; the two of them can sound as charming as an old-school country duet like Parton and Wagoner, or as bittersweet as that old recording of Townes Van Zandt and Emmylou Harris. In fact, the two cover Van Zandt’s “Pancho and Lefty” on the new album, though most of the songs are originals from O’Donnell’s pen. O’Donnell’s songs track the road-rambling ways of The Nouveaux Honkies, from “Life Ain’t Easy,” an unvarnished look at the touring life of musicians, to “I Know Things You Read About,” a funny song that speaks to the hard-won life skills learned on the road, or “Hours Into Days,” which sadly chronicles the distance that can well up between two people. O’Donnell’s the best kind of songwriter–able to swing between bitingly funny and touchingly honest–and he showcases this on stellar songs like the opening track “Blues for Country,” which perfectly mixes R&B vocal swagger with Dawkin’s country fiddle.
On Blues for Country, The Nouveaux Honkies roll hard through songs that have soaked up the fresh air of the American backroads this duo drive through every day, informed by all the great cities of the South, and beholden only to the open road.